My First Photograph: Timothy Tan

We speak to collector, Timothy Tan about the art scene in the Philippines, his collection and his favorite photographs

Timothy Tan is a champion of the art scene in the Philippines. While his expansive collection of major international artists has earned him top spots in many ‘power collector’ lists, Tan began his collection with Filipino art and continues to support the local scene in important ways. Among his many contributions is his support for shows such as Wild: Women Abstractionists on Nature and Sounds of Blackness at the Metropolitan Museum of Manila. When asked about the role of patrons, he points out the importance of ‘nurturing talent, spreading knowledge and providing the necessary support to elevate and educate both artists and the public’.

Here we speak to the collector about the art scene in the Philippines, his collection and his favorite photographs.

The first photograph in Timothy Tan’s Collection by  Canadian-Filipino artist, Jay Yao (Jose Campos III). Courtesy of Jay Yao.

What was the first photograph, image or artist that made an impact in your life?

The first artist that left a lasting impression on me was Hiroshi Sugimoto. His long exposure seascapes and architectural series are particularly powerful, evoking a sense of timelessness and serenity. His ability to blend minimalism with profound depth in every frame not only challenged my perception of photography but also shifted how I view the world through a lens. His work has been a constant source of inspiration in my journey as an art collector.

What was the first photographic work you collected? 

I acquired a drone shot by the Canadian-Filipino artist Jay Yao (Jose Campos III), capturing a forest in Canada. I was captivated by how he framed the landscape, creating an immersive, almost surreal atmosphere. I am also continuously exploring and appreciating various emerging and established photographers, especially those who bring fresh perspectives to contemporary themes.

What is your outlook on the future of Asia in the contemporary art world?

The art world is becoming more interconnected, and Asian artists are gaining significant traction globally. I believe the future holds immense potential for Asian artists to make a profound impact on the global stage.

Where do you go to find new art and what are you looking forward to seeing at PHOTOFAIRS Hong Kong?

I often discover new art through travel, social media platforms and various art shows around the world. I’m excited to see fresh perspectives and innovative works that push the boundaries of contemporary photography.

'I believe the future holds immense potential for Asian artists to make a profound impact on the global stage.'

PHOTOFAIRS Hong Kong will take place 26-30 March 2025 (VIP Preview March 26) at the Central Harbourfront. 

Profile phot by Jinggo Montenejo

The Fair’s Advisory Committee Includes

Sarah Arison

President of Arison Arts Foundation

W.M. Hunt

Collector & Curator

Sarah Meister

Executive Director of Aperture

Tiana Webb Evans

Founder & Director of Jamaica Art Society

Sonel Preslav

Director of Fairs & Editions of Printed Matter, Inc

Michi Jigarjian

Managing Partner of 7G Group & President of Baxter St at the Camera Club of New York

Alice Sachs Zimet

Collector, Educator, Advisor & President, Arts + Business Partners

Sophie Wright

Executive Director of Fotografiska New York

Beverley Buckingham

Collector

Elizabeth Ann Kahane

Photographer, Collector & Philanthropist

Elisabeth Sherman

Senior Curator & Director of Exhibitions and Collections of International Center of Photography

Stephen Frailey

Founder & Editor of Dear Dave Magazine

Cathy M. Kaplan

Retired Partner of Sidley Austin LLP

Brian Wallis

Executive Director of the Center for Photography at Woodstock

Alice Gray Stites

Museum Director & Chief Curator of 21c Museum Group

Joey Lico

Executive Director of The Cultivist

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